Curds Away!
Labels: art
Labels: art
Labels: art
Labels: art
Am almost sufficiently recovered to do the final update of the Curdle experience. Took more out of me than I thought…
Well, got up early to await the arrival of various pieces of art and person. Holly and Liam were first to arrive, bearing poems and fetching food. Then Leesa with the photos, Matt with DVD, Alexis with music, and Sam with wicked intentions and alcohol swabs. When all put together, the tally of pieces to experience at CurdleD on Saturday night:
* Film that I did with Matt and Frank and the Nymphettes, turned into a late-night ‘Let me tell your milky fortune’ advertisement. Hilarious.
* Five pictures from the photo shoot with Leesa, of milk jugs and Moo-Zoo’s reincarnation.
* Slideshow of all the photos Emmy took of the piercings I did with Tam.
* Projection of the Hera film I did last year with MimInBoots.
* Mixed CD of milk songs put together by Alexis, including My Milkshake, No Milk Today and some Spanish kids thing about a giant cow or something.
* Poetry reading by
* Philosophical rantings from behind a screen by the ridiculous Necrotitties, appearing for one night only as NecroMilkies- all French and fluid.
* Poem by Holly, written out and hung on the way with her
* Instructions for how to make invisible ink from milk, written in my own
* Four photos by Sam K of my Divine Bovine show last year at Hellfire.
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* Milky Memories book, containing thoughts from visitors.
And then there was the cupping performance. Ah, the cupping! Set up the scene in the back room, two chairs, blacked out walls and window and set up the surveillance cameras so that it showed in black and white on two monitors outside in the main
Then happy-high Zoo stumbles back into the crowd for drinking and schmoozing and eating sugary cakes and cavorting, before closing up the
Labels: art
Labels: art
Labels: art
Well, its been a few days since Y performed for me, and I’m still not sure that I can do it justice in a blog post. Have described it to a few people verbally and just tend to rant and jump up and down with a possessed/enraptured look on my face! Will try to convey the joy and beauty of it here all the same:
Thursday night I go to sleep in my loft, knowing that I will be woken soon. The phone rings at 4am, and Y tells me he is outside. I let him in, and am instructed not to look whilst he sets up. ‘
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art
Labels: art, performance
Labels: art
Labels: ar
Labels: art
Labels: art
Labels: art
Labels: art
Using a manual breast pump, stimulate at least every 5 hours, day and night, for 15 minutes each time.
Motilium. Take 2 x 10mg tablets four times a day, half an hour before meals.
Fenugreek. Take 2x 1000mg tablets four times a day. Smell like maple syrup.
Water. Consume at least 3 litres a day. Pee a lot.
Calendula cream or lanolin. Apply to nipples to alleviate dryness and soreness.
Oats. Eat as much porridge as possible.
Stout. Drink with abandon.
Fennel tea. Tastes foul so drink one pot whenever you are feeling brave.
Milk thistle tea. Drink as a reward for keeping down the fennel.
Recipes and results vary according to local custom, medical advice, and individual levels of patience and persistence.
Labels: art, performance
Performance piece for Chapter One. This piece is a bit confusing to me still. Basically it ties to permitted/ forbidden uses of milk.
Performance piece for Chapter Two. This piece draws its inspiration from the film La Strada. In this Anthony Quinn plays a carnival strongman, with a specialty of breaking himself out of the chains that confine his chest by flexing his muscles. I will attempt to draw the correlation between the strength inherent in these two monstrous bodies- the traditionally 'strong' body and that of the lactating body. I have deliberately made both characters in the piece male, as to either show a lactating woman or a gender-swap is not only rather obvious but defeats the notion of sameness/aberrance in the one body. This will be echoed later when discussing Bakhtin's carnival's 'sacred with the profane, the lofty with the low' and so on. These links may be made more blatant in the final piece if I feel that they are not easily readable.
The setting is a freak show of the old Barnum and Bailey kind. In scene one, we are shown a strongman standing in front of his audience. His arms are behind his back and his torso bound in chains. Huffing and puffing he flexes his chest, and the links begin to break one by one until he frees himself and the chains lie ruined at his feet. We then move to the next tent, another man is bound in exactly the same predicament. His chest is bare, and his nipples poke through the restraints. Huffing and puffing, he flexes the muscles in his chest. Milk begins to pour from his breasts, and as he writhes against the chains the lubrication allows him to slip from his shackles. The chains lie on the floor, intact yet defeated.
Performance piece. This piece is based on the Isadora Duncan anecdote quoted earlier, and also the 'money shot'/climax device in pornography. It is intended to provide some cohesion and summary of the three key themes of the paper.
A woman is on stage, or perhaps not, as we cannot see the audience or surrounds. She is wearing a 'classical' tunic-type dress, and she dances slowly. The music is either Patti Smith's 'Summer Cannibals' or an African drum piece. As she dances, stains begin to appear at her breasts. The music becomes faster, her dancing more furious. The dams burst, her milk courses in rivers down the front of her dress, makes the fabric cling, forms puddles on the floor, she slips and slides but still keeps dancing until the music stops. She collapses, her resources spent. Dried up.
Labels: performance
Woke up this morning with a microdyke in my bed (not like THAT, promise) and the stirring of a hangover and the horrible realisation that I had to be at work in about half and hour. Arrgh! Microdyke left, I tried to make coffee but we had no soy milk, and no butter to put on my toast, and so I had some quick Hitachi fun to wake myself up and crawled to the bus stop looking like death with no makeup and bloodshot eyes and starving hungry and seriously lacking in caffeine.Turned up to work an hour and a half late shaky and clutching a double shot soy latte with two sugars from the new cafe on the corner. I swear, sometimes I feel just like a baby sucking on a tit when I wrap my lips around the plastic lid and fill my mouth with frothy warm milk- VERY satisfying!
Started crying on my way to the shop, and had to hide out the back and look for sympathy from my workmates for half an hour before I could face doing any real work. Couldn't work out why, was just SAD. Everything black and weird. Thought maybe was simply exhaustion and hangover and latent grief combined, but when the fog cleared later a few things occurred to me. 'Close to the water' Zoo+ breaking out adolescent skin Zoo+lumpish strangely bloated Zoo+ horny all the time Zoo might just = LACTATING HORMONALLY HAYWIRE ZOO. Tits are achy, and hurt when I pump, a real ready-to-burst feeling, but frustrating as hardly any liquid to show for it yet. Hopefully it will come soon, its like waiting for blood or orgasms or ... 'It's torture, but I'm almost there' (The Cure).
Puppy me, I was loathe to lose Nathalie's scent, her muddy hair and the bitter grapes behind her ears, the tart fresh-cut cactus taste she left on my hands.
- Felicia Luna Lemus
'Like Son' (152)
It seems to be that when I am lactating I become more accutely alert to scents. Everything is heady and thick, the sickly sweet deodorants signalling the first sign of spring and the adolescent aftershaves of first year undergraduates. I can sniff out the diets of fellow commuters on my morning train, detect the contents ofplastic grocery bags and crumpled trousers. Its a state I associate with pregnancy, a hyper-sensitivity, the regular fragrances of life suddenly making the expectant one gag and swoon.
Labels: performance